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| The original. |
Sunday, January 29, 2012
Beat on the Brat with a Banjo
My friend David sent me a message about the Carolina Chocolate Drops show at the Calvin Theatre in Northampton last night. "We really loved both bands -- your prompt to get there in time for Joy Kills Sorrow was good advice. I've still got banjos twangin' around in my head. Need an afternoon of the Ramones or something to put a stop to it." I told him that if he was pressed for time, and as short as Ramones songs are, there are equivalencies to take advantage of. For mental banjo cleansing, one serving of Motorhead's "Ace of Spades" packs the pluck purging power of the Ramones' "Beat on the Brat" and "I Wanna Be Sedated" combined. Neither of us have anything against banjos for the record. Why do I tell you this? Because after the exchange, I was walking through town and one of the street musicians was banging out "Beat on the Brat" ON A BANJO. Can I get a witness? Did anyone else see this guy outside of Faces? True story.
Saturday, January 21, 2012
Strolling. Pointing. Shooting.
| Miracle at The Haymarket |
| Get The Led Out: The American Led Zeppelin plays the Calvin Theatre tonight (Saturday 1/21). Soundcheck was pretty great I have to say. I saw them do "Battle of Evermore" and the woman doing Sandy Denny's part was nailing it. |
| Yappy Road |
| Raven Books Rogue's Gallery |
A primitive poet's perch. Sticks and Bricks store window on Market Street. Just up the street at The Roost, dozens loom over their laptops. Were the cafes of the past filled with people on their portable typewriters? Why not?
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| Is this thing on? |
| Gordon Thorne painting at A.P.E. |
| R. Michelson Gallery |
| Haymarket downstairs |
| Haymarket upstairs |
| Market Street |
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| Artist: Chris Gentes |
Tuesday, January 10, 2012
Still Life With Left Ventricle
| The Antique Center of Northampton located at 9 1/2 Market Street is not one store but several dozen rented booths on two floors; the main floor and a basement. The more high-brow Stuart F. Solomon Antiques on the 2nd Floor is a separate business and seems to be open on a whim or by appointment. The Antique Center, on the other hand, is everything a fun vintage stuff store should be. The prices tend to be reasonable and the variety of vendors makes for some entertaining browsing even if you aren't in the market for ceramic penguins or outsider art nativity scenes. |
| A vintage iPhone. One app. |
| Decaying rubber Disney figurines. Donald seems to be faring the best. But what of Walt? In the decades since Walt Disney's death, the claim that he arranged for his body to be frozen has become ubiquitous. Nearly everyone has heard the story that Disney's corpse is stored in a deep-freeze chamber |
| No antique store worth its dust should ever be without at least one clown painting. The expert on clown paintings is Diane Keaton who also dabbles in acting. She curated a book on the subject in 2002. |
| All these pieces, if one believes in destiny, ended up together here for a reason, each with a storied trail of adventure. Like the little wooden canoe toy in the children's book "Paddle to the Sea," each was an inanimate witness to a specific history. |
| These novelty drink stirrers harken back to a time when racism and sexism were still fun. |
| A very early DVD and a yoga baby. |
| Ah, the plot thickens. |
| Fever dream |
| Still Life With Left Ventricle |
| Calendar nude with PMS? (see note) |
| Mishap at the doll factory or sadistic head-swapping brother? |
| Ancient instruments of culinary torture. |
| I offer no explanation, though I fear there may be one. |
| Who is the lucky heir to the duck string holder fortune? |
| These people are weighing a baby. |
| After the wise men departed, leaving their frankincense and myrrh, the big man finally showed up with the Wii. |
Monday, January 2, 2012
Nohodome Is Back for 2012
Eighty percent of success is showing up. This oft cited Woody Allen quote applies to blogging as much as anything. I hope to show up here at the Nohodome at least a few times a week henceforth. Welcome or welcome back. 2012 is a new garden to plant, a freshly erased chalk board, a new vacuum cleaner, a new pair of socks, an alphabetized bookshelf.
I got out of the Pioneer Valley only a few times in 2011, to Boston, Brattleboro, and Georgia, so my first hand exposure to reality has been somewhat finite geographically. Traveling brings experience into sharper focus and adds depth perception. Viewing the world solely from the vantage point of Northampton is like having one eye closed.
My theme for 2011, "first world problems," emerged after seeing a Louis CK bit on Conan. Not to dismiss the validity of any struggles that you or others may be dealing with, especially if you're unemployed, ill, or somehow not where you think you want to or ought to be. But especially in Northampton, life for most of us, while not luxurious, ain't so bad compared to many other places. The region is a veritable Shangri-La.
A new Tumblr site is dedicated to this notion. First World Problems. Example: “I can't get comfortable in bed even with 1000 thread-count sheets because one pillow positions my head too low and two pillows is too high."
Here is the clip from the now defunct Conan O'Brien show of Louis CK's "Everything's amazing and nobody's happy":
With the passing of George Carlin, I think Louis CK is the most visionary comedian out there. His TV series "Louie" is pushing the boundaries far beyond anyone else out there. Here's a (graphic and confrontational) clip about the origins of the word "fag." Louis always diffuses the tension and the shock with silliness and humor, but the lessons make it through.
I got out of the Pioneer Valley only a few times in 2011, to Boston, Brattleboro, and Georgia, so my first hand exposure to reality has been somewhat finite geographically. Traveling brings experience into sharper focus and adds depth perception. Viewing the world solely from the vantage point of Northampton is like having one eye closed.
My theme for 2011, "first world problems," emerged after seeing a Louis CK bit on Conan. Not to dismiss the validity of any struggles that you or others may be dealing with, especially if you're unemployed, ill, or somehow not where you think you want to or ought to be. But especially in Northampton, life for most of us, while not luxurious, ain't so bad compared to many other places. The region is a veritable Shangri-La.
| Green River Festival, July 2011 |
| The trails behind Smith College make for a beautiful walk. |
| Naturalization ceremony for new immigrants to the U.S. on the Northampton courthouse lawn on July 4th, 2011. |
| The Peace Pagoda in Leverett |
| The Greenhouses at Smith College |
Here is the clip from the now defunct Conan O'Brien show of Louis CK's "Everything's amazing and nobody's happy":
With the passing of George Carlin, I think Louis CK is the most visionary comedian out there. His TV series "Louie" is pushing the boundaries far beyond anyone else out there. Here's a (graphic and confrontational) clip about the origins of the word "fag." Louis always diffuses the tension and the shock with silliness and humor, but the lessons make it through.
Friday, August 5, 2011
The Sleep Study
I was convinced recently to submit to an overnight sleep study because of suspected sleep apnea and confirmed snoring. Two months later after a flurry of referrals and co-pays and screenings the night arrived. At 8PM I arrived at a medical building in Amherst, pressed the after hours buzzer, and was escorted by lab-coated 30-something Walt to a chilly mock-hotel room and left alone to strip to my "night clothes."
After filling out some forms I sized up the room. A queen sized bed had a grandmotherly quilt already turned down for my convenience. Several machines with dials and wires glowed and hummed on the night table next to a box of kleenex. A television was mounted on the wall. Just one painting hung on the wall with a Picasso-esque nude woman floating in abstract space, or maybe lying in a field, apparently sleeping, though the aerial perspective and her fetal yet sprawled position actually gave the impression that she had been gunned down from above by a helicopter. Pulling open the curtains on the window and raising the venetian blinds revealed bare wall. Was I already asleep and dreaming? Was this the Magritte Suite? I recalled the scene in Jim Jarmusch's film "Down By Law" in which Italian speaking Bob played by Roberto Benigni is in a jail cell with Zak and Jack (Tom Waits, John Lurie) and after drawing the outline of a window on the cell wall with chalk asks Zak, in his continuing effort to learn English, "Do you say in America you look out the window or at the window?'" Zak says, "Well Bob, in this case I guess you'd have to say you look at the window."
Somehow I would have preferred honesty in decor. I felt lied to. What else couldn't I trust them with?
Walt returned. I stood before him, tropical floral be-boxered and otherwise bare. There was an awkward silence as he sized me up. As if to respond for me, my body tingled in the cold air and goosebumps swept up my legs to my chest. Nipples stiffened. Scalp tightened. "So...," I said.
"It'll take about 45 minutes to wire you up. We like the bald guys. Goes quicker," he said, drawing lines and dots on my head with a marker and attaching cold sticky things.
I couldn't tell if he was a tech trained purely in the implementation of the overnight studies or if he was a degreed sleep scholar. I wondered, if you fell asleep in class at sleep school, could you just claim you were doing research?
There was a camera trained on the bed and a two way speaker so I could shout out, hands free, and be unplugged in case I had to use the bathroom. Walt implied that this was a hassle so I should go for all I was worth now. He explained what all the equipment was and what it would measure. They would monitor my heart, my breathing, my motion and position. I imagined asking "will you tally my erections?" I chuckled as I listened to how the words sounded in my head and he eyed me quizzically.
"So how long have you been doing this?" I asked. "Is this your passion? Your chosen field?"
"It is now I guess. I used to restore classic late '60s muscle cars but I got arthritis and a bad back and had to give it up."
I told him I used to drive a 1967 Firebird and a 1962 Mercury Monterey. As he attached electrodes with tape and glue, the time passed quickly peppered with chatter about Dusters and Chargers and Challengers and Camaros and Stingrays and Novas and Malibus and Mustangs and and Mavericks and Barracudas and even Javelins. He really missed working on cars.
"Well," I said, "now you're working on a 1963 Jim Neill. Truly a classic. A one of a kind production model. All original parts. No restoration. Actual miles."
"Okay then," he said, "Let's get you up on the lift."
I climbed into the bed and a microphone was taped to my throat to capture any speech or snoring. Walt left and a minute later his voice came over the speaker and we did a soundcheck. "Jim, give me a few snores." I did. I wondered if they were accurate. Convincing. "Okay, now say 'monk' five times." I did. "No," he said, 'MILK'." I thought he was joking but an expectant silence followed. I complied. "Okay. We're good," he said. "Go to sleep. We'll be in at 6 to wake you up. If you have more than 48 incidents in an hour, we will come in sooner. Sleep tight."
Incidents?
I lay there feeling like Dave in the bedroom scene in 2001: A Space Odyssey or Jason Robards in Magnolia. I hoped that this would be the only time I would ever be connected to wires and tubes in a bed.
I wondered about lightning strikes.
To be continued.
After filling out some forms I sized up the room. A queen sized bed had a grandmotherly quilt already turned down for my convenience. Several machines with dials and wires glowed and hummed on the night table next to a box of kleenex. A television was mounted on the wall. Just one painting hung on the wall with a Picasso-esque nude woman floating in abstract space, or maybe lying in a field, apparently sleeping, though the aerial perspective and her fetal yet sprawled position actually gave the impression that she had been gunned down from above by a helicopter. Pulling open the curtains on the window and raising the venetian blinds revealed bare wall. Was I already asleep and dreaming? Was this the Magritte Suite? I recalled the scene in Jim Jarmusch's film "Down By Law" in which Italian speaking Bob played by Roberto Benigni is in a jail cell with Zak and Jack (Tom Waits, John Lurie) and after drawing the outline of a window on the cell wall with chalk asks Zak, in his continuing effort to learn English, "Do you say in America you look out the window or at the window?'" Zak says, "Well Bob, in this case I guess you'd have to say you look at the window."
Somehow I would have preferred honesty in decor. I felt lied to. What else couldn't I trust them with?
Walt returned. I stood before him, tropical floral be-boxered and otherwise bare. There was an awkward silence as he sized me up. As if to respond for me, my body tingled in the cold air and goosebumps swept up my legs to my chest. Nipples stiffened. Scalp tightened. "So...," I said.
"It'll take about 45 minutes to wire you up. We like the bald guys. Goes quicker," he said, drawing lines and dots on my head with a marker and attaching cold sticky things.
I couldn't tell if he was a tech trained purely in the implementation of the overnight studies or if he was a degreed sleep scholar. I wondered, if you fell asleep in class at sleep school, could you just claim you were doing research?
There was a camera trained on the bed and a two way speaker so I could shout out, hands free, and be unplugged in case I had to use the bathroom. Walt implied that this was a hassle so I should go for all I was worth now. He explained what all the equipment was and what it would measure. They would monitor my heart, my breathing, my motion and position. I imagined asking "will you tally my erections?" I chuckled as I listened to how the words sounded in my head and he eyed me quizzically.
"So how long have you been doing this?" I asked. "Is this your passion? Your chosen field?"
"It is now I guess. I used to restore classic late '60s muscle cars but I got arthritis and a bad back and had to give it up."
I told him I used to drive a 1967 Firebird and a 1962 Mercury Monterey. As he attached electrodes with tape and glue, the time passed quickly peppered with chatter about Dusters and Chargers and Challengers and Camaros and Stingrays and Novas and Malibus and Mustangs and and Mavericks and Barracudas and even Javelins. He really missed working on cars.
"Well," I said, "now you're working on a 1963 Jim Neill. Truly a classic. A one of a kind production model. All original parts. No restoration. Actual miles."
"Okay then," he said, "Let's get you up on the lift."
I climbed into the bed and a microphone was taped to my throat to capture any speech or snoring. Walt left and a minute later his voice came over the speaker and we did a soundcheck. "Jim, give me a few snores." I did. I wondered if they were accurate. Convincing. "Okay, now say 'monk' five times." I did. "No," he said, 'MILK'." I thought he was joking but an expectant silence followed. I complied. "Okay. We're good," he said. "Go to sleep. We'll be in at 6 to wake you up. If you have more than 48 incidents in an hour, we will come in sooner. Sleep tight."
Incidents?
I lay there feeling like Dave in the bedroom scene in 2001: A Space Odyssey or Jason Robards in Magnolia. I hoped that this would be the only time I would ever be connected to wires and tubes in a bed.
I wondered about lightning strikes.
To be continued.
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